EMART 2-in-1 Green Blue Screen 3.3x5Ft/1x1.5m Portable Pop Up Backdrop
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Double Sided Collapsible Background with Carrying Bag for Photography,Live Streaming, Interview
4.4
$3999
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame.
We cut it from cotton and metal so the surface stays even under a hard key light. You also get a collapsible frame, a folding frame, a portable format and two usable sides. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- DOUBLE SIDED DESIGN. This foldable background cloth has green and blue background. The backdrop is made of 100% cotton material, which can make you shoot out pure color and clear image, easy for post image processing.
- HIGH ELASTICITY. The pop up backdrop cloth is made of highly elastic metal steel ring, which can still be quickly restored to its original shape after a long time of folding. Even when folded repeatedly, the material will not break or deform easily.
- MULTIPLE USES. Backdrops can be hung on T-stands, backdrops and walls to provide instant backgrounds to suit your different needs.
- EASY TO CARRY AND STORAGE. This green screen backdrop can be folded down to the handbag that we provided to carry with you or put in any corner of your home without taking up space.
- WIDE APPLICATION. This 2-in-1 green and blue green backdrop can be professionally used for portrait photos, photography, making videos, studio shooting.
Specification
| Material | Cotton and metal |
|---|
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
