EMART 13ft Heavy Duty Light Stand Photography Tripod for Photography
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Air-Cushioned Aluminum Alloy Light Stand with 1/4'' and 3/8'' Screw, Compatibility for Sports Games/Wedding Recording
3.8 9 reviews
$13999
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
We build it in aluminium alloy because gear that lives in a car boot gets handled badly. It arrives with a heavy-duty build and a carry bag. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Simple Height Adjustment. Butterfly-style knobs ensure tripod extend from 4.3ft/130cm to 13ft/400cm flexibly, ideal for vlogging, video recording, tracking basketball and soccer sports
- Built-in Air-cushion. Each section is equipped with air-cushion, providing cushioning force, preventing rapid drops to protect equipment and adjusting height easily
- Dual-specification Screw Thread. Equipped with 1/4" and 3/8" screw adapters,compatible with strobe lights, softboxes, sports cameras . Three way mounting interface allows install the devices vertically and horizontally and fasten it with the locking knob
- Strong & Stable Construction. Ground-contact column design, added a central vertical support point for enhanced stability, particularly suitable for scenarios requiring high stability. The sandbag can be placed on the tripod legs to increase stability, folding up and stores in the carrying bag for easy portability
- Durable Aluminum Alloy Material. The entire tripod is constructed from aluminum alloy, maximum load is up to 22 pounds with exceptional stability and durability to securely hold equipment
Specification
| Material | Aluminium alloy |
|---|---|
| Reviews on the listing | 9 |
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
The job it does
A light stand is the part of a kit nobody thinks about until something expensive hits the floor. This is a support stand built to go high cheaply and stay stable while it is up there, which is a different job from a tripod — a tripod is built to hold something still and aim it.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
