EMART 10x7Ft Green Screen Backdrop,Photography Greenscreen Background
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Polyester Green Screen Fabric Cloth,Photo Backdrop Curtain Suit YouTube Video,Streaming,Zoom Meeting,Game,VR(with 4 Clips)
4.5 14,032 reviews
$1999
In Stock
We put our 10x7Ft Green Screen Backdrop,Photography Greenscreen Background on the floor for crews who need the shot up before the light changes.
The surface is polyester and cotton, which gives you a matte face that will not throw the key back at the lens. The build includes a washable surface. We keep one listing per size so you are never guessing which box arrives.
Key features
- Professional chroma key effect. Non-reflective green screen backdrop provides pure green, which will make it easier to separate the subject when editing the virtual background, help you use it better for live gaming, Zoom and streaming
- Single One-Piece & Good Lock-Stitching. Seamless one-piece design offers a good vertical feeling, and is ideal for photoshoots, video or image editing, and friendly for background removal. All edges are locked to prevent tears, it will not be damaged after proper and vigorous scrubbing, and is more durable for long-term use
- Machine Washable and Ironable. EMART green backdrop curtains are made of high-density opaque polyester fabric, which are durable and can be cleaned in a washing machine.It has fewer wrinkles than cotton materials, if necessary, please iron the surface with a steam iron
- Easy to hang. Green screen backdrop has a 2.5-inch rod pocket in the top for hanging, it is suitable for most stand sizes
- Wide Application. The green screen backdrop is your ideal choice for photo studio photography, home photoshoot, broadcasting, interview, zoom meeting, live streaming, Gaming, YouTube video recording, video conferencing, music videos, TikTok, etc
Specification
| Material | Polyester and cotton |
|---|---|
| Reviews on the listing | 14,032 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
Where it earns its place
Fabric and panels are the half of the set the camera actually photographs. The stand holds the height; this holds the colour. Keep the subject a step forward of the backdrop and the green stays off their shoulders, which is the difference between a key that takes a minute and a key that takes an evening.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Setting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Hanging it and holding it steady
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
