EMART 10x12 ft White Backdrop for Photoshoot and Photography
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Washable polyester backdrop curtain with smooth surface,suitable for birthdays,video shooting and studio portrait photoshoots
4.3 507 reviews
$3499
In Stock
We put our 10x12 ft White Backdrop for Photoshoot and Photography on the floor for crews who need the shot up before the light changes.
The cloth is polyester, chosen because it takes a crease badly and loses one quickly. It arrives with a washable surface. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Reducing Reflective Material. EMART white backdrop background is made of high density fabric. less prone to wrinkling, high-density seamless process, opaque, which can effectively reduce the reflection of light
- Ironable. The white fabric has excellent heat resistance. Due to folding transportation, the cloth will inevitably have wrinkles and some creases. Before use,you can iron the backdrop with low temperature if necessary
- Rod Pocket & 4 Clamps. The screen has a 3.15inch sewn-in pocket, which can be hung on the stand crossbar. Come with 4 spring clamps that can bite the white backdrop to make it more flat
- Wide Applications. Whether you are a professional photographer or a boutique owner or others, it can be used as a shooting background or back to school backdrop. It is good for home party decorations, product shooting, photographic props, self portrait, YouTube, Tiktok, Zoom video etc
- Easy to Clean. Reusable. It can be machine washed, using warm water and a gentle detergent. After that, please iron the surface with steam iron if necessary, giving it a new look
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 507 |
Where it sits in the range
Chroma key panels, collapsible screens, washable polyester backdrops and tulle curtain sets from EMART — the fabric half of the set, cut to the span of our photography backdrop stands.
The job it does
A green screen is a background built to be thrown away in the edit, which puts all of the quality into the surface: matte, even and flat across everything the lens sees. Ours serve streaming desks, recorded interviews and product photography, and they hang from the same crossbar as every other backdrop we make.
Sizing it against your photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Travel, bag and care
Folded, it is compact enough to transport as one piece: the carry bag in the package takes the whole collapsible set, so no extra sections travel loose. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
