
EMART 10ft Heavy Duty C Stand with Boom Arm 100% Stainless Steel-Black
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.3
$11099
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
The build runs to stainless steel, which keeps the weight sensible without giving up on the joints. The build includes a heavy-duty build and a folding frame. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Wide Application. Applicable to most photographic equipment, such as photography reflector, umbrella, monolight, backdrops and other photographic equipment
- Adjustable & Stable. Adjust from 5 ft/150 cm to 10.6 ft/325 cm. The center stand has built-in buffer spring, which can reduce the impact of sudden fall of the installed equipment and protect the equipment when adjusting the height
- Heavy Duty C Stand. This photography C-stand made of Stainless Steel, the C-stand with refined design serves long-lasting durability for supporting heavy-duty photographic gears
- Sturdy Turtle Base. Our turtle base can increase stability and prevent scratches on the floor. It can easily load sandbags and Its foldable and detachable design is easy for transportation
- Extension Arm. Holding arm length is 4.2 ft/128 cm. Equipped with 1/4” and 3/8” screws at both ends, the extension arm can mount most photographic accessories with ease. Grip heads enable you to keep the arm firmly in place and set different angles effortlessly
Specification
| Material | Stainless steel |
|---|
Where it sits in the range
EMART spring-cushioned light stands, heavy-duty C-stands with boom arms, reverse-folding tripods and phone stands for photography on location.
What this one is for
Height is the specification people regret. For a seated portrait the key wants to be a little above eye level with room to angle down; for background support, match the stand to the backdrop you already own rather than the other way round.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.




