EMART Red Balloons 12 Inch 100pcs, Latex Balloons for Party(with Ribbon)
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Suit Helium Quality, for Birthday Party, Baby Shower, Wedding, Graduation, Halloween Christmas Decorations
4.6 404 reviews
$699
Currently unavailable
Our Red Balloons 12 Inch 100pcs, Latex Balloons for Party(with Ribbon) is the piece we hand over when a room has to turn into a set in one go.
The surface is latex, which gives you a matte face that will not throw the key back at the lens. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Premium Material. Made of high quality natural latex material, environmental protection and non-toxic. Thick leather, not easy to damage, good elasticity, not easy to damage after inflated, the balloon can be up to 12inch
- More Brighter & Better Quality. Our balloon color is comparatively brighter and better quality. NOTE: Do not fill more than 90% gas, or contact with sharp or overheated items, to avoid sudden explosion, which may cause personal safety threats
- Excellent Durability. Can be filled with air or helium, and good duration, don't worry about your party effect. For health and safety reasons, we recommend that you use an air pump instead of blowing by mouth
- Perfect Decoration. The balloon is suitable for men, women and children. Perfect for birthday parties, banquets, weddings, outdoor & indoor decorating, baby bath ceremonies, graduations, DIY Halloween, Thanksgiving, Valentine's Day, Christmas balloon decorating, round balloon arches, balloon garland, floral engagement parties and more
- What You Will Get. 100 packs of 12inch red balloons & 2 rolls of 33ft/10m ribbon. In addition, there is also our after-sales service, we will try to give you a satisfactory shopping experience
Specification
| Material | Latex |
|---|---|
| Reviews on the listing | 404 |
Where it sits in the range
EMART wedding arch frames and stretch covers, welcome sign easels, round tablecloths, balloon sets and the backdrop stands that carry them.
What this one is for
An event backdrop is part of the decoration rather than a surface meant to disappear, and everybody in the room photographs it on a phone. That means a wider frame, fabric that reads well in a snapshot and a base solid enough to stand in a corridor of moving people.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
