EMART 20 Pcs Royal Blue Chair Covers
EMART builds photography backdrop stands, background support and the lights that stand beside them.
4.6 794 reviews
$3599
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
The surface is spandex and polyester, which gives you a matte face that will not throw the key back at the lens. You also get a wrinkle-resistant weave. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Excellent Chair Covers. This stretch chair cover is made of 90% Polyester and 10% Spandex with good stitching, stretchable, wrinkle-resistant and durable. The quality of stretch fabric will meets all the requirements you need. Please make sure your chairs are standard size before purchasing, the chair size can be used within the following ranges. Length: 15-17.7in/38-45cm, Width: 17.7-20.5in/45-52cm, Height：32.7-38.6in/83-98cm
- Ingenious Design. This chair slipcover has 4 elastic foot pockets at the bottom, ensuring that every part of the chair is covered. This chair cover is suitable for dining chair, folding chair, office chair, room chair ect
- Widely and Various Use. This chair protector cover not only make the party chair more elegant, but also protect the chair from dirty and damage. It is perfect for wedding decoration, banquet, celebration, party, ceremony, dining, reception chair ect. It will not let you down in any occasion
- Easy to Install. Please measure the size of the chair carefully before purchasing. Using the chair feet from the top of the chair back to the bottom, just a few steps, can give your chair a new look, easy to install and disassemble
- Cleaning and Care. This spandex fabric chair slipcovers support machine washing and hand washing. Machine wash separately in cold water on gentle cycle and tumble dry low. Do not use bleach. Do not iron
Specification
| Material | Spandex and polyester |
|---|---|
| Reviews on the listing | 794 |
Where it sits in the range
EMART wedding arch frames and stretch covers, welcome sign easels, round tablecloths, balloon sets and the backdrop stands that carry them.
Where it earns its place
The same frames that carry a studio background carry an arch at a reception, so this sits next to the stands rather than off on its own. Weddings, birthdays and a photo booth in the corner all want the same thing: a backdrop stand one person can carry from a car to a hall.
Sizing it against your photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Setting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamps, hooks and the top edge
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Bag, case and care
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
