EMART Photography Backdrop Wall Mount Single Roller Support System
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Manual Photo Background Holder with 2 x Single Hook, 2 x Expand Bar, 1 x Chain, Ceiling Mounted for Studio Live Streaming
4.4 61 reviews
$4099
In Stock
If the room is borrowed and the call time is tight, this is the kit we would carry in.
The build includes a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Multi-purpose. : Backdrop roller system can be hung on the ceiling, wall and tripod. Substitute of high priced electrical roller system.Takes up a small amount of space when the background is rolled up.
- High Efficiency. : Counterbalanced chains and gear assembly in the wall mounted backdrop kit make raising and lowering your backgrounds quick and easy, Portable operation saves time and effort. The backdrops are easy to fit into the rollers and are easy to switch out when needed. Holder mounts on the wall securely and keeps the paper unwrinkled and intact.
- Easy Installation. : Save more space, say goodbye to ponderosity. The chain is smooth, no knot. The friction control function can be easily adjusted to prevent paper from rolling out, allowing you to easily set up your personal studio. NOTE: The ackground paper and the pipe are not included.
- Wide Application. : The background photography support frame can be used in many scenarios such as photo studio or home studio, wedding backgrounds, photography, portrait backdrop, cloth.
- Tips. : If you need to mount on the ceiling, it is suggested that the ceiling should be a concrete structure instead of wood ceiling or other is not solid.
Specification
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Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
What this one is for
This is a support system first and a photography accessory second. Hang a muslin, a white sweep, a black drape or a green chroma panel across the crossbar and the frame does not care which. What it cares about is the span, the working height and the weight at the legs — the three figures that decide whether a background stand is the right size for your room.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
