EMART Backdrop Stand 10x7.8FT Adjustable Back Drop Stand for Party Events
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Background Stand Backdrop with 8 Clamps, 2 Sandbags for Photography, Wedding, Baby Shower, Birthday Decoration, Photo Studio
4.6 45,490 reviews
$5499
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening. At full extension the top of the column stands 7.8ft, which keeps the hem off the floor in a small room.
The build runs to aluminium alloy, which keeps the weight sensible without giving up on the joints. You also get a retractable crossbar, a portable format and a carry bag. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- Retractable Crossbar. The retractable design makes the crossbar more flexible in use. Users can adjust to the appropriate width as required to adapt to different sizes of background backdrop.
- Sturdy Tripod Backdrop Stand. With adjustable height (3.2ft/0.98m–7.8ft/2.4m) , the aluminum alloy backdrop stand is durable, and the design of the tripod base ensures it won’t shake when fully extended to its maximum size.
- Better Effect with Accessories. The clamp made of strong and rugged type of plastic, matches with clips enable to clamp anything onto the stand tightly and present a better shooting effect. And sandbags can make the back drop stand more stable after loading heavy objects.
- Portable and Compact. The stand kit is very lightweight and portable after being put into the carry bag, and will not take up too much space. It can be conveniently stored in the bedroom, living room and corner.
- Multifunctional Application. This backdrop stand kit is suitable for newborn photography, baby photo shoot, professional photo studio shooting, product display background, DIY photo booth, pet pictures, shooting video or home/wedding/parties decoration. Note: Due to gravity, the crossbar will bend slightly, It is not suggest to hang anything too heavy and kindly please use sandbags to add weight for keeping stable in windy conditions.
Specification
| Height | 7.8ft |
|---|---|
| Material | Aluminium alloy |
| Reviews on the listing | 45,490 |
Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
What this one is for
A photography backdrop stand earns its keep by being boring. The frame goes up, the background hangs straight and nothing else in the room has to move. The same support stand serves portraits, seated interviews, pet photography and a photo booth at a wedding, because the job does not change: a clean surface behind the subject that stays where you put it.
Matching it to a photography backdrop stand
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Putting it up
It opens from folded in one pass, with no tools. Each telescopic section is adjustable along its length, mounting is the standard thread studio fittings use, and setup is quick enough that you assemble it after the subject has arrived rather than an hour before. Stability comes from the base rather than the column: spread the legs fully, position the feet out of the walkway, and it sits stable on a floor that is not quite flat. Anything heavy hanging on the system wants weight at the feet as well.
Hanging it and holding it steady
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care is minimal: wipe the sections, keep the clamps in the same bag, store it dry. Roll fabric rather than folding it and a wrinkle stops being something you plan around.
