EMART Backdrop Stand Heavy Duty 8.9x20Ft Adjustable Pipe and Drape Kit
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Photography Backdrop Stand for Wedding Birthday Party Banquet Decorations with Adjustable Pipe and Drape Photo
4.4 107 reviews
$30999
In Stock
We keep our Backdrop Stand Heavy Duty 8.9x20Ft Adjustable Pipe and Drape Kit in the range because most shoots need one dependable frame, not five clever ones.
The build runs to aluminium, which keeps the weight sensible without giving up on the joints. It arrives with a heavy-duty build. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Adjustable Backdrop Stand. The Pipe and drape backdrop stand can be freely assembled into different sizes according on your needs
- Sturdy Photo Background Stand. 8.9x20 ft /2.7x6 m heavy duty backdrop stand. Aluminum and steel framework provides maximum stability and professional durability,Sturdy base legs provide sturdy balanced support for safety and reliability
- Easy to Assemble. It can easily assemble background poles heavy duty frame + base + background in minutes without additional tools. Drape backdrop stand suitable for indoor and outdoor activities
- Wide Application. This decoration backdrop stand is perfectly suitable for weddings, parties, birthday, baby shower, photography, photo booths, banner stand backgrounds, business events and so on. You can hang drapes, balloons, string lights and flowers to make your backdrop stand amazing
Specification
| Material | Aluminium |
|---|---|
| Reviews on the listing | 107 |
In the box
【Package includes】Heavy duty backdrop stand includes 2 crossbars, 3 vertical poles, 3 heavy duty bases,3 sleeves, 3 screws, and 1 Allen key
Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
The job it does
This is a support system first and a photography accessory second. Hang a muslin, a white sweep, a black drape or a green chroma panel across the crossbar and the frame does not care which. What it cares about is the span, the working height and the weight at the legs — the three figures that decide whether a background stand is the right size for your room.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Getting it standing
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Hanging it and holding it steady
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Durability lives in the fittings. Aluminum alloy gives an enhanced strength for the weight, the material of the locking collars decides the rest, and the practicality of a professional design beats a powerful specification nobody uses. Quality here means the metal has not moved in a year. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
