EMART Backdrop Stand Heavy Duty 12x20Ft Adjustable Pipe and Drape Stand Kit
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Photography Backdrop Stand for Wedding Birthday Party Banquet Decorations with Adjustable Pipe and Drape Photo-Sliver
4.4 107 reviews
$37999
Currently unavailable
This is our answer for the setup that has to go up, hold still and come down the same evening.
We build it in aluminium because gear that lives in a car boot gets handled badly. It arrives with a heavy-duty build. Specifications here are read straight off our own listing — no rounding, no best case.
Key features
- Adjustable Backdrop Stand. The Pipe and drape backdrop stand can be freely assembled into different sizes according on your needs
- Sturdy Photo Background Stand. 12x20 ft /3.6x6 m heavy duty backdrop stand. Aluminum and steel framework provides maximum stability and professional durability,Sturdy base legs provide sturdy balanced support for safety and reliability
- Easy to Assemble. It can easily assemble background poles heavy duty frame + base + background in minutes without additional tools. Drape backdrop stand suitable for indoor and outdoor activities
- Wide Application. This decoration backdrop stand is perfectly suitable for weddings, parties, birthday, baby shower, photography, photo booths, banner stand backgrounds, business events and so on. You can hang drapes, balloons, string lights and flowers to make your backdrop stand amazing
Specification
| Material | Aluminium |
|---|---|
| Reviews on the listing | 107 |
In the box
【Package includes】Heavy duty backdrop stand includes 2 crossbars, 3 vertical poles, 3 heavy duty bases,3 sleeves, 3 screws, and 1 Allen key
Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
Where it earns its place
This is a support system first and a photography accessory second. Hang a muslin, a white sweep, a black drape or a green chroma panel across the crossbar and the frame does not care which. What it cares about is the span, the working height and the weight at the legs — the three figures that decide whether a background stand is the right size for your room.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Setting it up
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamping, hooks and the crossbar
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Bag, case and care
Transport is the test most of this kit fails. Folded it is compact, the carry bag swallows the collapsible frame and the small extra parts, and the whole package carries on one shoulder. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
