EMART 4Packs Sand Bags for Weight Orange Sandbags for Backdrop Stand Canopy
EMART builds photography backdrop stands, background support and the lights that stand beside them.
Heavy Duty Sandbags(No Sands) for Light Stand Tripod, Photography, Pop Up Tent, Umbrella Base, Camping, Fishing Chair, Sports
4.4 3,532 reviews
$2299
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame.
We build it in aluminium and polyester because gear that lives in a car boot gets handled badly. You also get a heavy-duty build. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- High-quality Design. This sandbags are made of 1680D polyester fabric, which has a longer service life and can clean easily. And they features a double zipper design and a rubber lining to prevent sand or other fillings from leaking.
- Maximum Load-bearing Capacity. Each sand bag can hold a maximum of 26 lbs of sand, stones, soil and other items. Please note: Can not hold water, and the max weight of the sandbag will vary due to the different densities of the material.
- Usage Steps. First, fill the PE bag with sands or other fillers. Next, place the filled PE bag into sandbags. Finally, you can use aluminum clips to place sandbags wherever you need them.
- Wide Application. Sandbags can be widely applied in multiple indoor and outdoor scenarios, such as photo studios, light tripod, fishing chair, sports, backdrop stand, camping, tent, umbrella base, boom arms, light stands, picnic table, canopy swing, outdoor patio, etc.
Specification
| Material | Aluminium and polyester |
|---|---|
| Reviews on the listing | 3,532 |
In the box
【Package Contain】You will receive 4 PCS orange sand bags, 4 PCS aluminum clips and 8 PE sealed bags. Sandbags measure 20 inch × 10 inch. Please note: The sandbags are empty, do not contain any material.
Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
What this one is for
A photography backdrop stand earns its keep by being boring. The frame goes up, the background hangs straight and nothing else in the room has to move. The same support stand serves portraits, seated interviews, pet photography and a photo booth at a wedding, because the job does not change: a clean surface behind the subject that stays where you put it.
Matching it to a photography backdrop stand
Work out the size from the room rather than from the catalogue. Measure the wall you shoot against, take a foot off each end for the legs, and what is left is the span a frame opens to and can honestly accommodate. Height is the figure people change their mind about later: seven feet suits a seated subject, while a standing full-length shot wants the frame fully expanded so the top edge of a seamless white, muslin, black or green surface stays out of shot. Space behind the subject matters as much as space across it — stood directly against the surface, anybody picks up its texture. In a small room, give yourself a little extra at the back so an additional panel or a prop can go in without everything having to move. As a general rule, choosing one size up costs less than choosing one size down.
Putting it up
Assembly is quick and standard. Pull each telescopic section up by hand, lock the adjustable collar, square the base. The mounting threads are the usual size for this kind of gear, so a fitting borrowed from another stand will do, and the whole setup takes one pair of hands. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
The bag in the package is the one it will spend its life in: collapsible frame, small parts, extra clamps. Folded it is portable enough for a train and compact enough for a boot. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
