EMART 3 x 6.5ft Portable T-Shape Backdrop Stand, Back Drop Stand for Party
One of the photography backdrop stands, lighting kits and support systems EMART makes.
Banner Stand with 2 Spring Clamps, Carry Bag,Background Stand Backdrop for Photography Studio, Weeding Welcome Sign, Video
4.4 6,772 reviews
$3599
In Stock
We put our 3 x 6.5ft Portable T-Shape Backdrop Stand, Back Drop Stand for Party on the floor for crews who need the shot up before the light changes. 6.5ft of height at the top of the travel gives you slack to raise the whole background once the subject sits down.
We build it in aluminium and cotton because gear that lives in a car boot gets handled badly. You also get a heavy-duty build, a portable format and a carry bag. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Multipurpose Photo Booth Tripod: Can be hung with canvas, muslin, cotton, paper and PVC background paper. Applied to portrait, product picture shooting, furniture appliance shooting, baby shower, etc
- Heavy Duty and Easy Assembly: The stand only kit is made of aluminum, high strength structure, never rust. And crossbar can be detached. It’s perfect for home-style studio and small office
- Adjustable Photo Backdrop Frame: The height can be adjusted from 3ft to 6.5ft(34-80 inches/86-203 cm), and crossbar's length is fixed 3ft (35.4 inches/90 centimeters)
- High-quality Spring Clamps: Combine ergonomic with advanced technology to provide comfortable grip to you. Light, strong and reliable. Even use the clamps for a long time, they will not break down
- Friendly Carrying Bag Design: The carrying bag is prepared for you intimately. When not in use, it can be stored without taking up space. When you go out, you can carry it with you. It will be your good helper
Specification
| Height | 6.5ft |
|---|---|
| Material | Aluminium and cotton |
| Reviews on the listing | 6,772 |
Where it sits in the range
Every EMART set starts with the same question: what is holding the background up? These are our photography backdrop stands — single crossbar, double, triple, T-shape and full pipe and drape — sized by the width of background they carry.
The job it does
This is a support system first and a photography accessory second. Hang a muslin, a white sweep, a black drape or a green chroma panel across the crossbar and the frame does not care which. What it cares about is the span, the working height and the weight at the legs — the three figures that decide whether a background stand is the right size for your room.
What size EMART backdrop stand this suits
Choosing the size is arithmetic rather than taste. Measure the wall across, subtract roughly a foot at each end for the legs and the fittings, and you have the span the frame has to accommodate when it is fully open. Height comes next, and it is the figure that changes once a subject stands: a seated portrait is happy at seven feet, a standing one wants everything expanded so the top edge of a muslin, seamless white, black or green surface stays above the shot. Keep a step of space behind the subject rather than putting them directly against the surface. In a small room, buy a little extra width — that is where an additional panel, a light or a prop ends up living. As a general matter, one size up forgives more than one size down.
Getting it standing
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. A wide base is what keeps the support system stable when somebody walks behind the subject. Position two legs under the load, keep the third foot clear of the walkway, and hang anything heavy low rather than at full height.
Hanging it and holding it steady
The crossbar carries the hang, the hooks spread it and a spring clamp secures the corners. Keep two spare clamps in the kit: one ends up on a light, one on a tripod tube, and neither is worth needing and not having.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Aluminium alloy keeps the weight sensible; the metal that decides durability sits in the locks and the joints, not the finish. The design is pro in the only sense that matters — practicality over appearance — and the material trade is plain: aluminum travels, steel survives. Care takes a minute: sections wiped, clamps back in the bag, the whole thing kept upright in a corner. A wrinkle in a surface is a storage problem rather than a fabric problem.
