EMART 2 Pack White Table Cloth Rectangle 60 x 102 inch Tablecloth for 4-6 Foot Rectangle Tables Washable, 180 GSM Thickened Polyester Fabric Tablecloth for Party & Wedding Decorations
One of the photography backdrop stands, lighting kits and support systems EMART makes.
4.6 133 reviews
$1259
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
We cut it from polyester so the surface stays even under a hard key light. It arrives with a wrinkle-resistant weave and a washable surface. We would rather you bought the smaller frame and used it than the big one that stays in the bag.
Key features
- Premium Material: Our table cloth is made of 180 GSM quality polyester fabric, which is both heavy and durable. It brings practicality and exquisite appeal to your dining experience, making it perfect for table decoration
- Widely Applicable: The tablecloths rectangular is suitable for weddings, birthday party, baby shower, dining banquet, graduation ceremony and other outdoor events. Its classic design adds a little of refinement to the venue
- Easy Care: Unlike disposable plastic tablecloths, this table cover is reusable and easy to maintain—machine washable. It retains its shape and vibrant color even after multiple washes, making it a cheap choice for both daily use and special event
- Wrinkle & Stain-Resistant Design: Our table cover boasts a wrinkle-resistant and stain-proof design, keeping it looking smooth and clean even after frequent use, which greatly enhances the elegant of the dining table
- Perfect Size: This 60 x 102 inch white tablecloth is perfect for rectangular tables of 4-6 ft. The overhang is just right—it elegantly sets off the tabletop without looking extra weight, making your tables appear neat and luxurious
Specification
| Material | Polyester |
|---|---|
| Reviews on the listing | 133 |
Where it sits in the range
EMART wedding arch frames and stretch covers, welcome sign easels, round tablecloths, balloon sets and the backdrop stands that carry them.
What this one is for
An event backdrop is part of the decoration rather than a surface meant to disappear, and everybody in the room photographs it on a phone. That means a wider frame, fabric that reads well in a snapshot and a base solid enough to stand in a corridor of moving people.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamping, hooks and the crossbar
Hang the surface a little narrower than the crossbar so it has something to pull against. A spring clamp secures each corner, hooks carry the middle, and that clamp will just as happily hold a light modifier or pin a cable to a tripod tube when the kit outgrows the room.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. The quality worth paying for is boring: metal collars that still grip, a design with no part that only works while new. Aluminum keeps a pro kit portable, heavier metal makes it durable, and durability on gear like this is an argument about joints. We would rather sound dull than claim an excellent finish. Wipe the metal down after an outdoor event, keep the small parts together, and store it standing rather than flat under something heavier. Fabric care is one rule: rolled, not folded — a wrinkle photographs.
