EMART 2-Pack LED Video Light Kit, 35W/3600lux Photography Lighting
One of the photography backdrop stands, lighting kits and support systems EMART makes.
2800-7000K Dimmable Studio Lights with 11.5ft Power Cord, 46-73in Adjustable Tripod Stand for YouTube, TikTok, Recording
3.5 21 reviews
$5499
In Stock
We designed this one around the part of the job nobody photographs: the half hour before the first frame.
You also get dimmable output and 360-degree rotation. Everything we list is our own; the price you see is the one on our product listing today.
Key features
- High-Power Output: Equipped with 336 high-brightness LEDs, this studio light delivers 35W of powerful, flicker-free illumination. Ideal for YouTube videos, live streaming, and professional photography—ensuring bright, even lighting for every shot.
- Extra-Long Power Cord: This LED studio light features a 350cm (11.5ft) power cord for flexible positioning away from outlets. Perfect for home studios, podcasts, or on-location shoots where power sources are limited.
- 3-Color Dimmable Light: Seamlessly adjust from warm 2800K to cool 7000K with 3 color modes and 10 brightness levels on this video light. High CRI 97+ ensures accurate color reproduction—perfect for makeup tutorials, product photography, and live streaming where true-to-life lighting from a professional LED panel matters.
- Adjustable Tripod Stand: The sturdy tripod extends from 118 to 185cm (46-73in) with quick-lock knobs, supporting 180° tilt and a 1/4" quick-release screw. This photography light stand ensures stable overhead shots, low-angle filming, or eye-level framing for YouTube videos and live streaming with your LED light kit.
- 4 Cold Shoe Mounts for Accessories: Four built-in universal cold shoe mounts let you attach microphones or smartphones directly to this LED video light panel. Streamline your content creation setup for interviews, vlogs, or product reviews without extra gear—ideal for creators who need a versatile studio light for recording.
Specification
| Reviews on the listing | 21 |
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Where it sits in the range
EMART ring lights with phone holders, bi-colour panel lights, barn-door kits and tabletop product lights, each with the stand it needs for photography and video.
The job it does
A light fixes the subject and does nothing at all for what is behind them. Ring lights and panels serve talking-head video, interviews and product photography; the moment the shot gets wider, the clutter behind the chair becomes the problem and a backdrop stand becomes the next purchase.
Matching it to a photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Getting it standing
Setup, in order: extend each telescopic section, lock the adjustable collar, then square the base. The mounting fitting is standard, so heads and clamps from other stands assemble onto it without an adaptor, and it all happens quickly with two hands. The legs open wide, and that width is the stability — not the thickness of the tube. Position the base so nobody kicks a foot, and add weight at the feet whenever the load is heavy or people are moving across the room behind the frame.
Clamps, hooks and the top edge
A spring clamp at each corner secures the top edge and hooks spread the load along the crossbar, so the surface hangs straight instead of scalloping between two points. The same clamp keeps a light cable or a tripod leg out of frame when the kit gets crowded, without needing a second pair of hands.
Travel, bag and care
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
