EMART 60 LED Portable Product Photography Light for Tabletop Photo,2-Pack
From the EMART range of photography backdrop stands, lighting kits and the grip between them.
Continuous Small Photography Lamp,Adjustable Tripod Stand and Filter,Table Top Camera Video,Stop Motion Animation Kit
4.4 5,106 reviews
$2999
In Stock
This is our answer for the setup that has to go up, hold still and come down the same evening.
It arrives with a retractable crossbar and a portable format. If a size is missing from this page, it is because we do not make it, not because it sold out.
Key features
- Adjustable LED Panel Kit: 60 LEDs / 1400 Lumens / 180° Adjustable Angle / Mini-Tripod Maximum Height 11 inches, 90+ CRI, Daylight Balanced 5500K, 15W LEDs for continuous illumination, accurate color rendering, realistic and natural colors to meet your different lights needs
- High Brightness: The included AC/DC adapter protects your safety, while the fill light is more than 50% brighter and brighter than other USB-powered models, making it ideal for content creators, professional photographers, designers, or home lighting
- Portable Studio Lighting: Desktop light with a built-in mini tripod design, easy to carry and adjust the angle you want, and equipped with a variety of color filters (red, blue, orange, white, pink, yellow, green, light blue, purple), so that the visual effect is more rich, to meet the needs of different photoshoot scenes, picture is more perfect
- Multifunctional Usage: Essential equipment for studio, videos recording, product photography, film shooting, selfies, portraits, meetings, makeup, podcast, live game streaming, YouTube, Tik Tok filming etc., which can satisfy different lighting needs
Specification
| Reviews on the listing | 5,106 |
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Where it sits in the range
EMART ring lights with phone holders, bi-colour panel lights, barn-door kits and tabletop product lights, each with the stand it needs for photography and video.
What this one is for
A light fixes the subject and does nothing at all for what is behind them. Ring lights and panels serve talking-head video, interviews and product photography; the moment the shot gets wider, the clutter behind the chair becomes the problem and a backdrop stand becomes the next purchase.
Sizing it against your photography backdrop stand
Size is a room problem before it is a shopping problem. Take the wall you shoot against, measure across it and subtract a foot at each end for the legs — the rest is what the frame can accommodate once it is open. Then decide height, because that is the figure people change their mind about the moment the subject stands up: seven feet suits seated work, full-length needs the sections fully expanded so the top edge of a white, black, green or seamless muslin surface never appears. Leave space between the subject and the surface too; stood directly against it, a face picks up every mark behind it. A small room rewards a little extra span, which is where an additional panel or a prop goes. In general, choosing one size up is the cheaper mistake.
Putting it up
Setup is hands only. The sections are telescopic, so you assemble it by pulling up and locking rather than by counting parts, and the adjustable collars let you stop anywhere between the stops. Mounting uses the standard fitting for this type of gear, so it mates with what is already in your bag, and it goes up quickly enough to do alone. Stability is a question of footprint. Open the legs to their stops, press the feet down, and position the base so the heaviest part of the load sits over it — weight in the right place does more for a support system than weight in total.
Clamps, hooks and the top edge
Clamp the corners first and even out the middle afterwards — the top edge is the part that shows. Hooks along the crossbar keep the hang even, a spring clamp secures anything that moves, and one spare clamp per kit saves needing an improvised fix on a tripod or a light tube.
Carrying it and keeping it
It packs into the carry bag it arrives in — a portable, collapsible package small enough to live in a car boot between shoots, which is the only way gear gets used weekly. Material and durability are the same question here. Aluminum alloy is the light choice and steel the enhanced one, and the quality of a design shows in whether a section still locks after a year. Professional gear is rarely powerful; it is excellent at being predictable, which is practicality rather than polish. Keep it dry and the care budget is a cloth. Grit in a joint wears a section faster than rain does; a rolled surface arrives without a wrinkle, a folded one arrives with a map of itself.
What buyers said
Left on our own listing by verified buyers in the United States, reproduced word for word.
- honest reviewOctober 19, 20265.0
These work great.
Excellent lights. Easy to use, easy to set up and mount. Stable and sturdy, light weight, not tall but you can set them up anywhere.
- Jeffrey A. BellSeptember 28, 20265.0
Product seems to work fine.
These lights are terrific. They have radically improved the quality of the videos that I record and share from my desktop. I highly recommend these for anyone who needs better lighting and does not want to invest in a super expensive pro studio lighting system.
- K. KileyAugust 31, 20265.0
Good product
Handy, easy to set up and use. Perfect for tabletop or countertop photography. I don't really have a use for the filters but overall, I like these alot.
